7" Singles They’ve been showing up on bootleg t-shirts, bumper stickers, and even headbands since they first appeared on the back cover of the forgettable 1973 album The History of the Grateful Dead, Volume One (Bear’s Choice). Produced by the legendary Owsley Stanley and recorded by longtime Dead associate Bear, the album's seven cuts include an 18-minute version of the perennial "Smokestack Lightnin," along with such classic crowd pleasers as "Dark Hollow," "Wake Up Little Susie" and a masterful rendition of the traditional "I've Been All Around This World.". A second double live package, Grateful Dead, hit … The shirt also features the dancing bears logo drawn by Bob Thomas as part of the back cover for the album History of the Grateful Dead, Volume One (Bear’s Choice) (1973). The Nike SB Dunk Low Grateful Bears pays homage to the 1973 dancing Grateful Dead Bears album cover art. Grateful Dead: A look back at the band’s magical year of 1970 ... the Grateful Dead have made a record album!’” Smith wasn’t the only one thrilled with the result. The bears first appeared on the back cover of the album History of the Grateful Dead, Volume One (Bear’s Choice). As the first release of a series of three Grateful Dead colorways, this Nike SB Dunk Low pays homage to the Grateful Dead Bears, a series of stylized dancing bears illustrated by Bob Thomas on the back cover of the album History of the Grateful Dead, Volume One (Bear’s Choice) in 1973. Europe '72 is a live triple album by the Grateful Dead, released in November 1972.It covers the band's tour of Western Europe in April and May that year, and showcases live favourites, extended improvisations and several new songs including "Jack Straw" and "Brown Eyed Women". The bears are actually a reference to legendary sound engineer Owsley “Bear” Stanley, who mixed and recorded the album. Workingman's Dead, also released in 1970, marked an abrupt change in the band's recording approach. Take your favorite fandoms with you and never miss a beat. . Jerry Garcia. Grateful Dead is an album by rock band the Grateful Dead.Released in October 1971 on Warner Bros. Records, it is their second live double album.Although published without a title, it is generally known by the names Skull and Roses (due to its iconic cover art) and Skull Fuck (the name the band originally wanted to give to the album, which was rejected by the record company). The Grateful Dead Nike SB pays homage to the Grateful Dead Bears, which was a series of stylized dancing bears drawn by Bob Thomas as part of the back cover for the album History of the Grateful Dead, Volume One (Bear’s Choice) in 1973. great albums during this six year period, this well-received album gave Deadheads and admirers of The Dead yet another live euphoric live experience. 1, LP. In 2001, the album was reissued with several bonus songs on The Golden Road box set and released individually in 2003. The album (also long out of print) combined all of Vintage Dead with two tracks ("Lindy" and "Stealin'") from Historic Dead and featured a new album cover. Track 2: The Fillmore East, New York City, USA on 26 April 1971. Bob Thomas’s Grateful Dead Bears is a series of stylized dancing bears as part of the back cover for the album History of the Grateful Dead, Volume One Bear’s Choice in 1973. Anthem Of The Sun (1968) and Aoxomoxoa (1969) combined both studio and live tracks to create intriguing aural montages, while 1970's Live Dead was a double album showcase of the Dead's awesome performing prowess. Organ (Tracks 1,4,10) Vocals, Guitar Grateful Dead . One of the band's iconic images, it was designed by Owsley Stanley to mark equipment cases, then rendered by Bob Thomas. These awesome rainbow-colored dancing bears are one of the greatest designs from the Grateful Dead vaults, originally included on the back album art of the History of the Grateful Dead, Volume One (Bear’s Choice) album. The Grateful Dead underwent a seismic stylistic adjustment beginning in 1969, as lead guitarist and vocalist Jerry Garcia and his preferred songwriting … See More triangle-down; Related Pages. While at one time, I considered the Grateful Dead a huge and viable part of the growth of american progressive music in the 1970s, my views have changes since moving to Europe 7 years ago. … Also a great tribute album to Pigpen. Europe '72, like other Grateful Dead cover art, was designed by Alton Kelley and Stanley Mouse (known as Kelly/Mouse studios). Album covers for Grateful Dead. Discover releases, reviews, track listings, recommendations, and more about The Grateful Dead - The History Of The Grateful Dead at Discogs. At the time of its release, Robert Christgau wrote that side two of the double album "contains the finest rock improvisation ever recorded." Live at the Fillmore East 2-11-69. A second double live package, Grateful Dead, hit the streets in early 1971. The front cover shows a large Truckin' boot crossing the Atlantic, while the back cover depicts the corresponding Truckin' fool smashing an ice cream cone against his forehead. The signature Grateful Dead bears came originated from the back cover of the album “History of the Grateful Dead, Volume One (Bear’s Choice)” in 1973. A large number of original studio albums and live releases are highlighted here, but, with Jerry being the most recorded musician of all time, there's always something new just waiting to be heard. Skeletons from the Closet: The Best of Grateful Dead was the first compilation album from the Grateful Dead. Games, Furniture & Coalescing out of the thriving San Francisco music scene in the early '60s, The Grateful Dead combined the folk and bluegrass roots of guitarist Jerry Garcia, the electronic music penchants of bassist Phil Lesh and the R&B, blues and rock backgrounds of Bob Weir (guitar), Bill Kreutzmann (drums) and Ron "Pigpen" McKernan (keyboards, harmonica, vocals) into a whole new kind of American music. Décor, Long It’s all happenin’! In the Dark (Grateful Dead album) Europe '72. The in-the-pocket riff on Estimated Prophet eases into laid-back harmonies with the Dead’s only female member (vocalist Donna Jean Godchaux, from 1972-79) building to … Strange Trip, Pacific Northwest "Dark Hollow", "I've Been All Around This World" and "Hard to Handle" recorded on February 14, 1970 at the Fillmore East in New York City. Without a Net. Indeed, the liner notes simply stated: "There is nothing like a Grateful Dead concert." Jerry Garcia. referencing History Of The Grateful Dead, Vol. "Smokestack Lightning" (version 2) and "Sitting on Top of the World" recorded on February 8, 1970, at the Fillmore West, San Francisco. Jun 30, 2015 - Explore Fox Music Company's board "Grateful Dead Album Covers" on Pinterest. Europe '72 is a 1972 live triple album of performances by the Grateful Dead, recorded during their tour of Western Europe in early 1972. Rick Griffin. The design takes inspiration from Bob Thomas’ bears which were placed on the back cover of the 1973 album, History of the Grateful Dead, Volume One (Bear’s Choice). The three colorways will feature a faux fur upper with suede overlays … The Point of the Points The group initially consisted of Jerry Garcia (guitar), Bob Weir (guitar), Phil Lesh (bass), Ron "Pigpen" McKernan (keyboards), and Bill Kreutzmann (drums). (Some of the ice cream flying through the air spells out the word "LIVE".) Home Before Daylight: My Life On the Road with the Grateful Dead. The second side features the entire electric band on blues covers "Smokestack Lightning" by Howlin' Wolf, and "Hard to Handle" by Otis Redding. '73-'74, Cornell An annual bonus disc is available to purchasers of a subscription to each year. D&D Beyond Recorded live at The Fillmore East in 1970 and then released in 1973 to time-honoured success, History Of The Grateful Dead, Volume 1 (Bear’s Choice) showcases it’s dedication It is not to be confused with History of the Grateful Dead, Volume One, an album also known as Bear's Choice. The Grateful Dead Wiki is a FANDOM Music Community. Recorded live at: Track 1: The Fillmore East, New York City, USA on 27 April 1971. Artist information Type: Group Founded: 1965 Founded in: Palo Alto, California, United States Dissolved: 1995 (30 years) Area: United States ISNI code: 0000 0001 0667 3175 Rating. They made extensive use of improvisation, and are considered one of the originators of jam band music. After he died on March 8, 1973 from internal haemorrhaging, aged just 27, the Dead’s acid scientist Augustus Owsley Stanley (aka Bear) commemorated him on the album History Of The Grateful Dead, Volume One (Bear’s Choice). The Tattoo design also includes a ring of Dancing Bears along the edge of the top, which were originally designed by Bob Thomas as a nod to the band’s producer and engineer Owsley “Bear” Stanley. Musician/Band. great albums during this six year period, this well-received album gave Deadheads and admirers of The Dead yet another live euphoric live experience. referencing History Of The Grateful Dead, Vol. Track 3: Manhattan Center, New York City, USA on 5 April 1971. A … Others might want to check out the back cover of the group's History of the Grateful Dead, Volume One (Bear's Choice) album to see what all the fuss is … The graphic previously appeared on the cover of History of the Grateful Dead, Volume One (Bear's Choice). These fuzzy sneakers feature a number of materials that pay homage to the bears. More, Recreation & Company, Stickers & Grateful Dead x Nike SB Dunk Low Green Bear Review Hey Guys! Band historians, however, claim that this release was optimistically titled because the label had hoped to issue a series of live recordings (à la Dick's Picks ) containing highlights from a variety of vintage Dead performances. Captured live at the Fillmore East on Feburary 13 and 14, 1970, History Of The Grateful Dead, Vol. On the originally prepared artwork, the writing for the top of the album cover read "In the land of the dark, the ship of the sun is drawn by the Grateful Dead", a passage taken from the Egyptian Book of the Dead. The bear is a reference to Owsley “Bear” Stanley, who recorded and produced the album. 1 (Bear's Choice) is somewhat misleading, as a follow-up never came to pass. Bob Weir. & Company, Under Infrared Roses. 1 (Bear's Choice), LP, Album, BS 2721 Excellent album, great showcase of acoustic Dead. The cover art prominently features the "Lightning Skull" logo. 1 (Bear's Choice) Back. From Wikipedia: A series of stylized dancing bears was drawn by Bob Thomas as part of the back cover for the album History of the Grateful Dead, Volume One (Bear's Choice) (1973). 1977, 50th Others might want to check out the back cover of the group's History of the Grateful Dead, Volume One (Bear's Choice) album to … The design takes inspiration from Bob Thomas’ bears which were placed on the back cover of the 1973 album, History of the Grateful Dead, Volume One (Bear’s Choice). 4.5 (see all ratings) By submitting my information, I agree to receive personalized updates and marketing messages about Grateful Dead based on my information, interests, activities, website visits and device data and in accordance with the. Recorded live at The Fillmore East in 1970 and then released in 1973 to time-honoured success, History Of The Grateful Dead, Volume 1 (Bear’s Choice) showcases it’s dedication Collection, Dead & Now seeding Volume 124, another scintillating concert from September '82. That album's acoustic, folk-flavored originals were echoed on American Beauty, recorded at the end of that very busy year. That album's acoustic, folk-flavored originals were echoed on American Beauty, recorded at the end of that very busy year. Bob Thomas’s Grateful Dead Bears is a series of stylized dancing bears as part of the back cover for the album History of the Grateful Dead, Volume One Bear’s Choice in 1973. In contrast to the band's previous albums, the artwork is set against white, mostly-empty panels of (originally) a triple gatefold sleeve. The bears first appeared on the back cover of the album History of the Grateful Dead, Volume One (Bear’s Choice). Album cover. … Kel… Album Cover Art: Bob Thomas. 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