[114] Two issues later, writer Alan Brennert wrote into the letters page of Video Review asserting that Scotty had never sold drugs in any version of the script. The Flying Guillotine, Creative Commons Attribution-ShareAlike License. Directed by Joseph Pevney. If Star Trek Online fails for some reason, this mission will always be remembered. [52] Roddenberry later claimed that he was present at the Hugo Awards, and said that Ellison rushed past him up onto the stage. [107] In 1975, Ellison copyrighted the version of the first draft script as it was returned to him with notes,[21] which was then published in Six Science Fiction Plays by Simon & Schuster. He listed nine "leaps of narrative logic" that a viewer must overcome to accept the plot. Third Degradation ℗ 2015 Elusive Records Released on: 2015-05 … [39] For the version used in the episode, the lyrics were recorded by an unknown session musician. [143] A reference to "The City on the Edge of Forever" was included in the two-part Star Trek: Deep Space Nine episode "Past Tense", with a boxing poster appearing in a scene set in the 1930s featuring Kid McCook and Mike Mason. But since the script remained credited to Ellison, he won the award once more. Ellison suggested that Shatner had a personal interest in having the script revised because Leonard Nimoy had more lines than he did in Ellison's version, and had spent the time on the couch line counting. Herbert Franklin Solow later recalled that this elation turned to horror when Ellison began talking about the interference of studio executives in the writing process, before holding aloft a copy of the original script and yelling "Remember, never let them rewrite you!" As aired, it won the Hugo Award. He said that he felt bad, because if he had not seen Ellison's earlier versions then he would probably have been "thrilled" with Fontana's version. [128] After the success of the book, Crispin was asked to write a sequel, Time for Yesterday in 1988, in which the Guardian is malfunctioning and the Enterprise crew must seek the help of Zar to communicate and repair it. Steven W. Carabatsos and D. C. Fontana, both story editors on the show, undertook re-writes of the teleplay, and changes have also been attributed to producer Gene L. Coon. Mistakes were made in the set design with an instruction for "runes" misconstrued as a request for "ruins". Still unsatisfied with the script, Roddenberry set about rewriting it once more, titling the result, dated February 1, the final draft. "The City on the Edge of Forever" is the twenty-eighth and penultimate episode of the first season of the American science fiction television series Star Trek. [24] After her agent asked her if she wanted to appear on the show, Collins, who had never heard of it, mentioned it to her children. [140] The episode was also suggested by Robert F. Moss in The New York Times as later influencing the plot of Star Trek IV: The Voyage Home. "[11] On that night, Roddenberry and several of the crew were seated at a table that Desilu had purchased, while Ellison was at another. [54] In his 1995 book, I Am Spock, Nimoy said that episodes such as "The City on the Edge of Forever" and "Amok Time" were "just as powerful and meaningful to today's audiences as they were to viewers back in the 1960s". Justman was pleased with Roddenberry's changes and told Coon that it was close to being filmable but that he still expected it to exceed the budget for a single episode. "[52] Karl Urban, who plays McCoy in the 2009 Star Trek and the sequels, said that "The City on the Edge of Forever" was one of his favorite episodes along with "The Corbomite Maneuver", "Amok Time" and "Arena". 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