In the episode, the Enterprise is thrown back to Earth in the 1960s where the US Air Force detects it so the crew must find a way to correct the damage to the timeline. Christopher must be returned to his own Earth due to an unborn son who will be key to how the future develops, significant due to space travel. If the whole event never happened, then why go to the trouble of getting the film? Nice to have a review from someone who likes Star Trek. In the nineteenth episode of the first season of Star Trek, a ... “Tomorrow Is Yesterday” pales a bit in comparison to the last batch of episodes. Not the case 50% of the time with TOSR. The original series was never equaled in any of its worthy successors in making commentary - whether comedic or serious - on its own historical context. 0:13. Difficult shot to pull off realistically, I know, but this was glaring. Can’t people around here handle a negative review? It looked like a painted disco ball in this episode. Nice one Spock’s Brain, we also see Pluto for a split second on the way back to the future. I would have pulled back to give the shot a touch more “air.”. Which one…? And though not terribly serious, Tomorrow is Yesterday is a good example. We are something comparable to the Squire of Gothos “Trelane” – viewing from a great distance. Classic Trek had numerous iconic set pieces that still resonate to this day, including the Enterprise frantically backing away from the Radioactive Cube of Death in “The Corbomite Maneuver”, multiple scenes in “The Doomsday Machine”, and Captain Christopher’s encounter with the Gray Lady in “Tomorrow Is Yesterday”. the main view screen is not located along the centerline). I think the planets mostly look the same size in Star Trek because the ship is usually in “Standard Orbit”, so ordered by Kirk. Star Trek episode review — 1.19 — Tomorrow Is Yesterday. It is a true joy to see someone who has actually accomplished something, in life and in the Trek-verse, give a decent review of an episode, based soley on its merits. Save. Agreed, someone correct me if I’m wrong but the New HD Transfers, integration of CBS Digital Effects and Editing are being done by “Sun Digital” I believe it is??? Our Fire may burn but it gives off no heat – – – often we don’t understand. Perhaps he was amused by the fact that it might have said, “Watch the live moon landing in the commissary this Saturday.”, Or, better yet, “Star Trek renewed for another season!”. Good performances? The plot is fairly complicated and as impossible (from a scientific perspective) as most of what passed for science in Voyager and Enterprise, but the strength of Fontana's dialog and the performances of the regular crew and the guest stars (Roger Perry is great in this) carries it. Kirk and Spock talks about the possibility of the pilot firing that weapon at the ship and it ends up that the pilot is beamed aboard the Enterprise. 52:20. LEHOUX WILLIAM. The result is a middling effort, perfectly acceptable but ultimately disposable. Now try to explain how the crew is supposed to go its merry way at the end of TNG’s “Clues.” Apparently, the whole rest of the universe doesn’t want to spoil the gag that they’ve lost several days. Okay, I can’t completely ignore them if I have to make comparisons. Ah, well, another minor nit picked. Then the twinkling effect we see at the end is just explainabe as the beaming starting then stopping as the Enterprise passes forward in time. I know I do. :). ... STAR TREK: SHORT TREKS. Be that as it may, you do make valid points about certain lights on the ship. One interesting bit that nicely predates tablet computers and PDAs occurs when Christopher offers to sketch out a layout of the Omaha air base, and Kirk hands him the electronic clipboard we all know from various bridge scenes. Also…will it be offered in Blue Ray or HD….that other format? I am very much borrowing from another reviewer here, I just happen to agree. However, no one seems in agreement about the nacelle balls. Enterprise really was gliding through the upper atmosphere, its Bussard collectors blinking and fritzing. The Omaha installation was never named, possibly to avert this trope. Far from it, this is one of the highlights of the season. User Ratings Does this mean that the CBS-D team is untalented and a mess? Give the remastering a B+ on this one, only because I think the E looked small and plastic in several shots. Thank you Rick for a fair and unbiased review of this well made and well remastered episode, it was always a fave of mine, and now with the vastly improved cbs/cgi I admit sheepishly have often blasted , well it looks darn good..better than ever! THEN, my friends…is when the real debate and “fun” begins…….. “Reviews can be negative as well as positive, and sometimes both by pointing out whats good and bad. I love the shot of the Enterprise in orbit over Earth. Its ongoing mission: to explore strange new stories about Star Trek during its 50th … Unlike Mr. Bailey’s reviews, it was not overly negative nor did it go off on tangents in an attempt to be witty by taking cheap shots with the benefit of, oh say, 40 years of hindsight. And the amusement continues with Kirk's slapstick fight with 3 military officers and their ineffective interrogation. 1:05 > Editor's Picks. I haven’t spoken to Dorothy about it personally, but I imagine she asked a few people about black holes and gravitation and magnetic fields and such, and formulated a mechanism by which the U.S.S. – I get to review “Spock’s Brain.” :lol: I still maintain that CBS Digital needs to fire the ADD-addled editor who is chopping up our beloved series for syndication without the least regard for the flow of the episodes. It sure seemed like one). In all the other movies and shows, even if the scripts were often times questionable (especially Voy and Ent) I never once didn’t believe that I was looking at big space ships. Tomorrow Is Yesterday introduces the most classic of Star Trek plot devices: time travel. There are always a few cowardly scumbags behaving like religious fundamentalists on these kinds of fora. The episode was written by D.C. Fontana, directed by Michael O' Herlihy and novelized in Star Trek 2 by James Blish. 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